Vaziri Library in Yazd Hosts 'Ayeneh-dar Ghazal' Session

Yazd – The 'Ayeneh-dar Ghazal' session was held at Vaziri Library in Yazd, a library that houses one of the most precious manuscript copies of Hafez's Divan in Iran.

According to the reporter of Iran's Ambassador Arjan (Ambassador Arjan) in Yazd, the head of the Yazd Ministerial Library in the meeting "Mirror of Ghazal" held on the occasion of commemorating Hafez in the historical space of the Yazd Ministerial Library and Museum, referring to the literary structure of Hafez, considered him to be more than a poet, the architect of sacred geometry and stated: If we look at the structure of Hafez's sonnet through the lens of wisdom, we are not facing a disturbing statement, but a sacred geometry and proof We are facing each other. Hafez sees the world as the manifestation of truth in his principle area.

Citing the honorable verse "Allah Noor Samawat Walarz", Saeed Zare added: When he talks about May, Saqi and Pir Moghan, he migrates the words from earthly ecstasy to the realm of celibacy and monotheistic teachings. Hafez taught us that hypocrisy is the biggest scourge of rationality and spirituality, and the essence of religiosity lies in sincerity and love for God's people.

Ministerial Library; An ocean of historical documents and manuscripts

Pointing to the importance of bibliography and documentation in this gathering, Zare considered the Waziri Library and Museum as an ocean of written heritage, and pointing to the possession of more than 300,000 volumes of books, 51,000 exquisite manuscripts and hundreds of thousands of untouched historical documents, he emphasized: Examining the documents related to the celebrities and religions of the Ilkhanate and Timurid eras, which are preserved in these repositories, is the key to unlocking many mysteries of Hafez's text.

He stated: We are committed to take the written heritage out of confinement in silent shelves and archives and bring it to the text of live university and seminary researches.

In another part of this meeting, the head of the Vaziri Library of Yazd discussed the mission of the Vaziri Library and Museum as the cultural base of Astan Quds Razavi in the central plateau of Iran, in the form of four strategic axes, including the establishment of a text think tank and the revival of manuscript research chairs, and inviting researchers and scholars from the field and university to reread and correct unique manuscripts, as well as smartening and digital access, and turning the book into a modern tool available to researchers all over the Islamic world, and continuing to connect with society and mosques. Transferring the aroma of Razavi's books and culture to families, teenagers and authentic neighborhoods of Yazd, as well as the centrality of prestigious cultural events and turning this place into a meeting point of art, wisdom, literature and Quranic knowledge of Yazd province.

poetry; A tool for the exaltation of the soul in the land of Iran

In this meeting, the Director General of Islamic Culture and Guidance of Yazd province emphasized the unbreakable link between art, literature and divine revelation, with a knowledgeable look at the position of the great poets of Iran, and described the needs of human beings: If God has placed material blessings in nature such as figs and olives to nourish the human body, He has also revealed "revelation" to nourish the human soul.

Hojjat-ul-Islam Daneshi emphasized: Art, science and knowledge, although they are valuable tools, they have value and meaning in the eyes of God only when they take on a spiritual color and are inspired by divine revelation.

He added: Even scientific achievements such as geometry, astronomy, medicine and philosophy, if they are carried out with the aim of reaching the realm of excellence and connection with the Creator, can open the way to the seventh heaven. But art and literature have a greater duty; Art should be in the path of soul improvement and human education.

Director General of Islamic Culture and Guidance of Yazd, referring to the Persian literary masters, emphasized that all these works were actually interpretations of the words of revelation and the words of the Holy Prophet (PBUH).

Citing the poems of Hafez, he said: Hafez, who is always praised, says himself: Everything I did was done by the government of the Qur'an; This means that all his art originates from the Qur'an.

Danshi also pointed to Saadi's poems and the views of Ayatollah Haeri Shirazi, and noted: In our literature, love and knowledge always return to Muhammad's love. With all his verses, Saadi wants to say that in his youth, love for the Prophet (PBUH) is enough to reach perfection.

He drew the position of Maulana Jalaluddin Muhammad Balkhi in this path and said: Maulana's poems are the efforts of souls to open up to the heavens. The great poets of Iran, centuries ago, have borrowed from scientists and scholars to interpret the revelation in an easy, smooth and pleasant language for the people.

folk knowledge; Beyond superstitions

A Yazdi poet and writer also stated in this ceremony that a distinction should be made between scientific knowledge and popular knowledge (the culture of the mass of the people) and stated: Beliefs such as legends, dream interpretations, myths and fortune-telling, although they do not necessarily have logical and scientific support, they are an inseparable part of the cultural life of the people and do not conflict with the sacred structure or pure superstitions, but are considered a part of the behavioral identity of the society.

Referring to the position of astronomers in ancient civilizations and their influence on poets, Gholamreza Mohammadi emphasized: Poets have always had a kind of affinity with the heavens. If we use poetry for divination, we are actually taking advantage of the inner and spiritual powers of a text that has been prevalent in Iran since a thousand years ago.

Referring to Manochehri Damghani's poems, he showed how in classical literature, birds and nature are depicted as "fortune tellers". Great poets such as Saadi, Maulana and Hafez have always tried to find a way to relieve worries and find meaning through words for the "poor human being" who is looking for peace in the midst of the troubles of the earth.

The cultural advisor of Yazd governor pointed to the distinctive features of Hafez's poems and emphasized the "multilayeredness" and "symbolism" of his words and said: Hafez's poetry is such that any religion, any profession and any belief can derive its meaning and truth from one verse or one of his poems. Some of his poems are so vertical and independent that they can be taken separately; This feature has made every soothsayer or interpreter able to find the meaning they need in one sentence.

Analyzing the spiritual origins of Hafez, he stated: He was not only a poet, but also "the memorizer of the Qur'an". The people's belief in him, who called him the Unseen Tongue, is rooted in the fact that he was connected with the Qur'an and divine teachings. Hafez had benefited from the government of the Qur'an and this God-given word flowed through him with divine wisdom. Those who work with God through Tahjud, night and dawn prayers, secret and romantic need, can touch these wisdoms in His words.

Comparing Hafez's view with other scholars and theologians, Mohammadi said: Unlike many people who make life difficult with fear and anxiety about concepts such as hell, fire and Sarat bridge, Hafez had a different view. Instead of focusing on punishment and punishment, he spoke more about God's grace, mercy and mercy and invited people to the joy and beauty of life.

With a metaphorical description, he explained the place of Hafez's poetry in today's world and said: Hafez's poetry is like a long and high mirror in which everyone sees himself. His text is so open and adaptable that anyone who comes to him with any background and distress can find a meaning for himself. If today's generation can refer to this great literature and these kindnesses hidden in Hafez's words, they will be saved from many troubles in today's world.

Hossein Masrat, a Yazdi writer and researcher, also pointed out the age and value of the Yazd ministerial library and said: The ministerial library of Yazd is one of the ancient libraries of Iran, which has nearly six thousand manuscripts, and some of them are exquisite and unique. One of these versions is Hafez Shirazi's Divan, which has good handwriting and valuable illustrations due to the removal of several miniature plates.

He pointed out: In the current treasure of manuscript books, many exquisite and unique works of Yazdi scribes, writers and poets can be seen, among which about 150 volumes are the Holy Quran and the largest percentage of books are religious books.

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