His blue imagination crossed the memory of the sea

"A woman's chirping voice" has very pleasant and familiar prose poetics that sometimes crosses the poetic prose and becomes the poem itself, "My blue imagination passed through the memory of the sea".

The Iranian Ambassador of Arjan's Literature Service (Safir Arjan) - Mohammad Saberi, poet and writer: I carelessly chose this collection of stories for criticism. If possible, call it a review. This is the title that the author chose for his book, The Voice of a Woman's Cricket, an ambitious title that, at first glance, confronts the specific and not the general audience with the basic question of what is the relationship between crickets and women!

The story begins with a death, because in any case, the old woman was dead and not a woman, and from the very beginning we find out that we are dealing with death, and for me, who have read the death of Mr. Ivan Ilyich Tolstoy, in a comparison with Al-Farq, I get an illusionary train of thought that something more horrible than what the great Tolstoy depicted in that story must have happened, because death as love is now in the most clichéd way possible in the world's literature. They are classified among the subjects at hand, death is death and the end of the story and love is love and the beginning of the story, but I will pass this way of looking at this story that there is no room for such scrutiny and analysis and I will return to the best story of this collection by Nemat Moradi and I say frankly that with this story, Nemat Moradi has set foot on a minefield in a blessed and poisonous night and with exemplary power and all-round nobility. The fluid of the mind and postmodernism have advanced the story.

So far, the pen and the owner of this pen should be praised and respected for the meticulously cinematic stagings, comprehensible time reversals, psychological analyzes of the characters in the story, and finally the endearing poetics of an author who is a very poet, these should be said and still enjoy the text, short sentences of two words that in the heart of each sentence is a volcano that explodes under the feet of the audience. and he keeps asking himself, well, what's next, what's next, and until the end of the story, he keeps this lust of curiosity and reaching a conclusion clear in the heart and soul of the audience.

I said highly cinematic scenes, see:

As always, you fell off the bed, disgusted by the black cat licking his hand. Your head hurt. Old pictures and radish words gave you the color of torment.

Or psychological analyzes of characters that are fully shown and not described, see:

You giggled as your brain fell on your shoulder, the doctor's brain was chirping that the phone he put on your feet was actually a phone?!... Then he laughed until the end of madness, everyone laughed until the end of madness until the end of their restless and lonely and cooked brains that smelled of offal.

Or see the extremely pleasant and similar prose poetics that sometimes cross the poetic prose and become poetry itself:

My blue imagination crossed the memory of the sea. ...the futility was making the sound of a squirrel and your brain was just whistling like a train. ... they had words, they were crushed and trampled, the face of all the words sounded the alarm.

Each of them are poems and their poetics have reached enough maturity, and if that blue dream is not a poem, then what is it?... I put the title of this note exactly on this poem so that everyone knows that a woman's chirping sound is a poetic story or a long and fictional poem.

The author shows with completely objective characterizations and constant intimidation that he knows the main elements of the story well and he knows well that the critic of every spectrum and degree and credibility weighs in the heart of these phrases, if the bottom of the scale collides, the author's work will be lost and he will fail, so the story moves forward with the fear of judgment and criticism, and this is my first criticism of this story. By the way, it starts here, the obvious fear of criticism sometimes spoils the story, a great pest that affects a large part of our literature today, see:

I said that the nurse has been imitating 80-year-old women for 20 years and shows her head every day to the colonel and the doctor so that the doctor can inject her and make her feel better.

At first glance, we should consider the nurse to be 120 years old, because she is hennaing her hair like 80-year-old old women, and it's as if our name-seeking author has forgotten that in other places the nurse's story has not been presented as older than old women, and he has forgotten that these are old women who want to look 20 years younger by hennaing their hair, and he has forgotten to write in the text to imitate and not to imitate, which is very different. It is in the function of this word in the phrase and after all this, I don't know why it makes the doctor feel better in the injection of the needle, and what does this have to do with the colonel, in the middle of this battle, which we have not heard much, sometimes the nurse, I don't know how old, shakes her tail at the doctor and the rest of the story.

During the narration, the author went to the Karamazov brothers! At first glance, this is a conscious choice for me, who has been heavily influenced by the West and the East in literature and is intimidated by Russian and French literature, but why the Brothers Karamazov, what is the symmetry and balance between this fatalism and the Brothers Karamazov, which is beyond the father-son war over a woman, and how much I wanted the narrator to read Crime and Punishment on the hospital bed or sanatorium to get rid of the death of conscience or even the death of Mr. Ivan Ilyich, I have no doubt Each of these two novels had a more accurate identification with this story and nothing else, judge with you!

This time, unlike his previous works, the author also has a narrow eye on essay writing and philosophizing, because I believe that every story with every component, meter, and standard should contain disturbing and healing messages for the audience, not in the way that the principle of narration is under the shadow of philosophy, which Sartre's all his stories are like this, and just the opposite of Camus, who all his pure philosophies are in service, I said the author has a narrow eye like this The writing and how excited I am to have a colored pencil in my other hand while reading the story. To highlight phrases like this and every page has something to color, see:

Every time women lie, they become more beautiful, prettier and lascivious, the nurse is also full of mischief and false love.. It was great, but for the author of our poet, it was better: the nurse is also full of mischief, lust, passion and a little love, which of course is of the false kind!

The peak of the maturity of the story happened in the final lines where Pavolevich and his four children all breathe easy together, the ambulance takes the words to the hospital or he thinks that the words are also injured... It was great, Mr. Author.

The most annoying for me, a strict, illiterate, cruciate ligament tearing were the words that were referred to Mojtaba Moharrami, the height of distaste for someone whose story is global and can easily cross geographical borders, that's the meaning, I wish they would tear the ligament like Ronaldo in the World Cup!

My last criticism is related to the last paragraph of the story and the explanation of the author's heart motives from his writing, everything is obvious and it is obvious why the explanation, it is really a pity that this story is comprehensible in its own way for me and the audience to sit down to explain and justify, see: the killer may be a storyteller or a nurse with a squeaky voice, I am not a killer at all and...

The story of a woman's chirping voice was full of philosophy, psychology, identification, and pleasant illusions of the author that you will hear a lot from.

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